![]() Criminal justice is typically for law enforcement and judicial functions, and both conviction and non-conviction data is provided. New Hampshire CHRI has no expiration date and only is removed by way of a Petition to Annul granted by the court of jurisdiction, and all related fees are satisfied.ĬHRI in the Central Repository is disseminated for either criminal justice or non-criminal justice purposes. All criminal fingerprint impressions are sent to the FBI for inclusion to their CHRI database. Phillip Zach (1984) was born in Cottbus, Germany, and is currently based in Zurich, Switzerland.CHRI is received at the Criminal Records Unit by way of fingerprint impressions taken of arrestees and/or criminal complaints and dispositions from the circuit and superior courts. He lives and works in Brooklyn, New York. Hugh Scott-Douglas (1988) was born in Cambridge, UK. Diego Perrone (1970) was born in Asti, Italy. Anna-Bella Papp (1988) was born in Chi?ineu-Cri?, Romania. David Nilson (1982) was boring in Yngsjö, Sweden. Jean-Luc Moulène (1955) was born in Reims, France. Nancy Lupo (1983) was born in Flagstaff, Arizona. She lives and works in Los Angeles, California. Dwyer Kilcollin (1983) was born in Chicago, Illinois. Eloise Hawser (1985) was born and works in London, United Kingdom. Haris Epaminonda (1980) was born in Nicosia, Cyprus. Jason Dodge (1969) was born in Newton, Pennsylvania. Jay DeFeo (1929-1989) was born in Hanover, New Hampshire. She lives and works in New York and New Mexico. Dash (1980) was born in Miami Beach, Florida. Ketuta Alexi-Meskhishvili (1979) lives and works in Berlin, Germany. The title of the exhibition is from Robert Hayden’s 1978 poem, “American Journal.” It is the wording of the last line. Koi fish find a pond within a cheek, a father from the future was standing here, and a woman stares out at us, but we are not connected somehow. The earth beneath our feet is displaced to the wall and into various other forms. 250 years pass before the light from Spica, the 14th brightest binary star we can see in the night sky, reaches our eyes. Waterfalls position themselves in space on pause as if to defy gravity. A street lamp is eternally on and a skeletal form hangs from the wall, which we know within the present, but seems to have been unearthed from Pompeii. ![]() The hands of the clock from the city hall in Le Havre, France have fallen from their place in the sky and lie side by side on the gallery floor. The works do not embrace spectacle nor do they convey easily identifiable moments in time. The mediation or translation across media by the artists is registered through process, material and experience, without being overt or requiring a clear connection to each of their unique lives. What resulted were diverse media that possess familiar forms – of our bodies, the objects that we surround ourselves with, the landscapes of this world – yet in other respects are strange and alien. Dash, Jay DeFeo, Jason Dodge, Haris Epaminonda, Eloise Hawser, Dwyer Kilcollin, Nancy Lupo, Jean-Luc Moulène, David Nilson, Anna-Bella Papp, Diego Perrone, Hugh Scott-Douglas, and Phillip Zach to convey a shared tactile pull. In a humble effort to explore this power of transference and the respective ability to extend or impart this energy given materiality, process, and evocation, works were chosen by artists Ketuta Alexi-Meskhishvili, N. Possibly, a reason why many of us find ourselves so attracted to art. The title “I am attracted none the less.” introduces the unexplainable phenomena that lies at the heart of the exhibition – the notion that there is a visceral, transcendental connection that is experienced with certain images and objects. I am attracted none the less, their variousness, their ingenuity, their élan vital, and that something, essence quiddity, I cannot penetrate or name.Ĭasey Kaplan is pleased to announce our first summer group exhibition in the new gallery on 27th street.
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